Dystopias always begin as utopias, and the Chelsea is no different. Though in its current state it bears an unfortunate resemblance to Los Angeles’s Bradbury Building as transfigured in Blade Runner, the Chelsea was originally conceived as a socialist utopian commune. Its architect, Philip Hubert, was raised in a family devoted to the theories of the French philosopher Charles Fourier, who proposed the construction of self-contained settlements that would meet every possible professional and personal need of its inhabitants. After the stock-market crash of 1873, Hubert decided New York was ready for its own Fourierian experiment and devised a plan to build cooperative apartment houses in New York City. Tenants would save money by sharing fuel and services. Hubert’s creations—New York City’s first co-ops—were tremendously successful, and none more so than the Chelsea, which opened in 1884. Keeping with Fourier’s philosophy, Hubert reserved apartments for the people who built the building: its electricians, construction workers, interior designers, and plumbers. Hubert surrounded these laborers with writers, musicians, and actors. The top floor was given over to 15 artist studios.
Being dirt poor and inhabiting London I got to come across a few places like this. Strange places that refuse to have time wash them away.
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Chancee is a designer who codes from London Town.
They have worked for the likes of Nike, Vodafone, Sky, Disney and Pearsons. Won awards from Promax, BAFTAs, the Appys and The Drum. Spoken at The Waldorf and Southampton University - despite swearing like a sailor. Available for hire to draw pretty curves and code clever things.